![]() 'Ironside' (excerpt) by Quincy Jones – 0:16.'You're My Wicked Life' dialogue by David Carradine, Julie Dreyfus and Uma Thurman – 1:14.'The Lonely Shepherd' by James Last & Gheorghe Zamfir – 4:20.'The Flower of Carnage' 修羅の花 (from 'Lady Snowblood') by Meiko Kaji – 3:52.'Crane / White Lightning' by The RZA / Charles Bernstein – 1:37.'Don't Let Me Be Misunderstood / Esmeralda Suite' by Santa Esmeralda featuring Leroy Gómez – 10:29.'Battle Without Honor or Humanity' (from ' Another Battle') by Tomoyasu Hotei – 2:28.'Run Fay Run' (from ' Three Tough Guys') by Isaac Hayes – 2:46.'Queen of the Crime Council' dialogue by Lucy Liu and Julie Dreyfus – 0:56.'Twisted Nerve' by Bernard Herrmann – 1:27.'The Grand Duel (Parte Prima)' by Luis Bacalov – 3:24.'That Certain Female' by Charlie Feathers – 3:02.'Bang Bang (My Baby Shot Me Down)' by Nancy Sinatra – 2:40.If it was my movie, I would have taken a chance. I wanted to take a chance, but in the movie business you can’t take those kind of chances. ![]() ![]() We rocked with it and it was one of the first things we did. We lost a sample, I made one Hip Hop beat. There’s only one piece of music that I didn’t feel comfortable with when we were done. 'Crane and White Lightning' is a piece of music that Quentin wanted on the soundtrack, but was originally set for a Metallica track. A lot of that stuff is what I use to keep the vibe going between songs. There was one situation where you see, 'Crane and White Lightning.' That’s part of the original score, so it’s not really a song. So when he saw it, he was like, this is cake. Now, am I going to take it out in forty five minutes or am I going to fall asleep? I made sure it got out and if I saw something wrong with it, I fixed it. ![]() ![]() Put this in the oven, watch it, take it out in forty-five minutes. He was like, here go the eggs, the milk, the cake, the sugar, everything, and I’m going to stir it up. I think I was more of somebody that kept it in the guidelines of what he wanted. He had an idea and a vision when he wrote the script. In a 2003 Interview, RZA spoke about the soundtrack's creation process: It was more of a collaboration. ![]()
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